'Well, neither can this nasal thermometer, so let me shove it deeper.' Jasper said, and I couldn't help but smirk, 'It's kinda your fault that you can't stay away from me.' He shrugged, making me roll my eyes amused. I am moving you with Ray until you get better.' I told him, running my fingers through his new haircut. 'No, seems like your temperature is below a hundred.' He said, making me sigh relieved. 'Am I gonna die?' I asked him in a raspy voice. I think it needs to go in deeper.' Jasper told him, before grabbing my thermometer.

'Well?' Hen asked Jasper, as he analyzed the number.

I would never, ever want to even consider putting a nasal thermometer up my nostrils. We played rock, paper, scissors and luckily I won. I actually battled with Henry for my thermometer. 'Okay, let's check that temperature.' Jasper smiled, pulling the thermometer out of his nose. I thought that since I didn't get Schwoz's disease a couple of months ago from him, a mere cold would not get me. I don't know how or where he got it, but I sure as heck know I got it from him. 'Will you please come take this thermometer outta my nose hole?' Henry asked him, pointing at the thermometer, before rubbing my hands rested on his chest. 'Yeah, what'd you need?' Curly wondered, squeezing some orange juice. I sniffled, trying to keep the digital thermometer under my tongue in place, as I watched Jasper prepare his 'cleanse' with a raised brow.

Shatkin also laces “Pussy and Pizza,” with Murs exploring two of his favorite subjects while using his trademark flow to blur the lines between truth and comedy: “Early Sunday morning got the game on/I fell in love with every girl that I came on.I was sitting on Henry's bed with a blanket wrapped around my shoulders, as I was holding him to my chest, both covered by his duvet. Here Murs revisits his oft-used anecdotal method to narrate a tale in which he meets a Hispanic woman named Letty who eventually lands him in danger with disapproving acquaintances. “Mi Corazon” is more up-tempo than the typical 9th Wonder-type beat, and the riotous nature boosts the dramatic content tenfold. What results is a more pop-oriented sound than we’re used to hearing from Murs, but he manages to bypass past forced efforts at radio play like “Time Is Now” from Murs For President. Childhood friend Jesse Shatkin, mostly known for his work with Kelly Clarkson and Sia, handles most of the production here. Some of Murs’ most fluid work to date has come at the hands of longtime producers like 9th Wonder and Terrace Martin, but for variety’s sake, it’s refreshing to hear Murs navigate through a different sonic palette without losing his footing in the process.

Murs have a nice life leak